Drawing based on a photograph by Alaa Alyousef via AP

Drawing based on a photograph by Alaa Alyousef via AP

It was the photograph, really. There is always a defining moment when an awful situation reaches its apex. In this case, it was the image of the grieving Syrian father and his 9-month-old twins. He holds the eternally sleeping, dead from poisonous gas babies for the cameras, for the world to see, as if to say “See? See what our world has come to?”

And we did see. In one crystal clear, revolting moment, we were spun once again into a darkened dystopia. It is a reality seen in harrowing fiction like Cormac McCarthy’s “The Road,” where our humanity is reduced to pushing around a shopping cart in a barren world, trying desperately to pull scraps of food and hope from the embers. Read more >>

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