It seems like only yesterday I was wandering around Copley Square wearing my 2012 glasses, taking in a spontaneous Hare Krishna First Night celebration and eating strange little packaged treats handed out by devotees. At that time, the long-anticipated, mysterious Mayan Prophesy was this curious notion still comfortably off in the distance. I decided on that heady evening that I would spend 2012 as if the prophesy were in fact true—that everything would end on December 21. We’re often told that we should always live our lives as if each day were to be our last. So, facing what may have been the final year of my life, or at least the last stretch before some sort of cataclysmic event, did I spend each waking moment in the most meaningful way possible? Did I push myself to the outer limits? Did I reach for the stars in terms of productivity and my search for enlightenment? No, not exactly.
Tag: Church of Boston (Page 1 of 2)
If I wasn’t going to be out of town, I would very likely be at Church Saturday night to welcome back to town Alex Brown Church and Sea Wolf, one of my L.A. faves. Seattle’s Hey Marseilles, with their charming string-based orchestral old-timey folk, makes for a marvelous pairing. This will be a really lovely evening.
Earlier in the year, Sea Wolf released their third full-length on Dangerbird Records, Old World Romance. It’s an aptly titled release. The music is warm, flowing, timeless, and yes, very romantic. Just beautiful. If you like what you hear, you’ll definitely want to see them in this intimate setting. Last time I saw them, it was a few years ago supporting The Album Leaf at the Paradise.share this:
Jeff Beam, bassist for Lady Lamb the Beekeeper’s musical comrades, The Milkman’s Union, and 1/3 of The Stereo Flys, has released his debut solo album, on which he adeptly plays the role of one-man-band, inviting us into his magical electronic-acoustic forest. Madly veering from a mildly psychedelic whispered daydream (“Part One”) to full-on space prog (“Congratulations on your Latest Achievement,” it’s a pretty, mind-melting journey. Accompanying the spacey sounds are some equally spacey thoughts. “Destroy All Solutions,” apart from its Zen riddle of a title, has these cryptic words – “Just before the planets realign / Fix yourself a faulty new design / One that’s interested in all our fears / One we can appreciate in 40 years.” The vocals are stretched out near the end into something that feels like aural silly putty. And that is how we are left. Curious, drifting, and wondering where he went off to.
Formerly of the cultural enclave of Allston but now based in Portland, Maine, Jeff will be playing some shows around the East Coast, starting with NYC’s The Knitting Factory and stopping off at Church, where he’ll be joined by the US/UK duo of Soft Bullets, The Radium Girls, and The Sour Doo-Dahs. Jeff’s on first, at 8pm, so get there early!
::: facebook event :::
East Coast Tour
6/19 @ the Knitting Factory in Brooklyn, NY w/ Soft Bullets & Wintersleep
6/20 @ the Barley Pub in Dover, NH – FREE SHOW w/ Soft Bullets & Tan Vampires
6/21 @ Church in Boston, MA w/ Soft Bullets
6/22 @ The Firehouse in Worcester, MA w/ Soft Bullets, Sexy Neighbors, Broadcaster, & Graywolf
6/23 @ Empire in Portland, ME w/ Soft Bullets & Sea Level
On their debut EP Noisemaker (released Dec 13 of last year), Boston band The Dirty Hit give a very nice sampling of their eclectic and far-reaching sound. There’s the noisy garage fun of “Romero” and “Back To You” (though both have melodic elements), the folky social commentary of “All Seeing Eye,” and some really nice psychedelic ambiance of “Days End” and “Bring Light,” which have little experimental touches including a a slight aroma of reggae rhythm. “Renovator,” which closes the EP, is just a nice, tight pop song. There’s something about the writing (I’m a lyrics girl, remember), the tasteful guitar licks and the delightful harmonies that makes these guys stand out. It’ll be cool to see what they do next – there’s plans for a full-length this year.
Ok, so last year I had a ‘Top 10’ list. What can I say; 2011 was kind of a struggle. But I did discover a common theme for this year’s favorites: delivering a stellar performance in the face of adversity. Whether it was a legendary performer who had overcome personal struggles to come back, absolutely blazing (Toyah Wilcox, Levon Helm, and Eric Bachmann with his band Crooked Fingers); or just a rough night (lead singer Evan Way of The Parson Red Heads being really sick but soldiering on anyway, and The Drowning Men and their ‘road trip from hell’); my soaring admiration combined with musical prowess to create these special evenings.
That would be Church of Boston back on September 25, when they supported The Humans, not your usual Sunday service – though could you imagine that? I uploaded this recently, but never mentioned it, so as I recover from my band resources and prep my ‘Favorite Shows of 2011’, here’s a little video treat for you.
Black Ocean and Walter Sickert PROUDLY present PANDORA’s BOX
2 Nights of ART and Mayhem @ the Church of Boston
Friday 11/18 and Saturday 11/19
doors 8pm, 21+ | Buy Tickets ($10/advance; $12/day of show each night. $16 for a Golden Ticket Two Day Pass (comes with a FREE exclusive, UNRELEASED song – download card to be picked up at the venue)
::: Preview Trailer :::
If you’re beginning to feel the pull of holiday season psychosis, and would like to be yanked straight off the edge, might I suggest beginning your silly season in the company of Walter Sickert & his Posse of Perverted Elves (with special guests). Different sets, costumes and vibe each night. Leave your inhibitions at the door, take a deep breath, and step into the welcoming abyss.
The Humans with special guest Walter Sickert & The Army Of Broken Toys, Kid Savant
Sunday, September 25 at the Church of Boston
Doors at 7pm; 8pm show | 18+
Tickets: $12 in advance; $15 day of show
There’s so much about Toyah Ann Willcox I never knew. I was familiar with this wild-haired, exotically dressed creature from another planet that was pretty much the norm in the 1980s, though her voice set her apart. I remember her album, The Changeling, released in 1982. It was dark, gothic and sensuous, and a staple of my musical diet at the time. But I had no idea that she was also deeply immersed in an acting career – stage plays, film and television – since the mid ‘70s. She worked with Derek Jarman on his punk film Jubilee and The Tempest, and in 1979’s Quadrophenia. She appeared with Katharine Hepburn in the made-for-television movie The Corn is Green, and in many live theatrical roles. At the same time, she fronted a few bands before embarking on a solo music career in 1985.
A little nostalgia for the old folks…
Yep, big doings tonight for the local Boston music scene. Predictably, I’ll be working. But you should definitely get out tonight. Don’t get bummed if you don’t have tickets for the sold out Deer Tick guys; there’s other noteworthy stuff going on – a brand new club’s opening night (with live music – and FREE admission!), and a bunch of local bands playing for a worthwhile charity.
For this edition, we’re starting the week on Sunday (today), since I forgot to mention tonight’s Bent Wit Cabaret show last time. Their theme is “Mystery,” and the performance will feature spoken word artist Jha D, magician Dezrah the Strange, burlesque by Penny Candy and Abby Normal, The System of Soothing (a 7 minute opera by Frank Pesci based on a story by Edgar Allen Poe), and much more. There’s The Boston Waterfront Performing Arts Festival at Christopher Columbus Park (in the North End) on Tuesday (8/10), featuring Sarah Borges and The Broken Singles and the New Collisions. On Thursday, Club D’Elf are playing at the Lizard Lounge. On Friday, there’s three things of note: Agent Bishop Presents The Lucky 13 Bash at Church of Boston; Goli Going East (members of Fluttr Effect) and Cabiria‘s CD release party; and Jo-Jo’s (who’s Jo-Jo?) Birthday Roast featuring John Powhida’s International Airport. On Saturday, Otis Grove plays a free show at the Middle East Corner, and “Boudoir Noir” – billed as “an intimate carnival of delight and revolt” – promises to be quite cool, what with The Slomski Brothers, What Time Is It, Mr. Fox? and HUMANWINE.