{"id":10775,"date":"2013-10-18T16:38:55","date_gmt":"2013-10-18T21:38:55","guid":{"rendered":"http:\/\/www.bostonsurvivalguide.net\/wordpress\/?p=10775"},"modified":"2013-10-20T16:41:37","modified_gmt":"2013-10-20T21:41:37","slug":"introducing-clara-berry-wooldog","status":"publish","type":"post","link":"https:\/\/www.bostonsurvivalguide.net\/wordpress\/2013\/10\/introducing-clara-berry-wooldog\/","title":{"rendered":"Introducing… Clara Berry & Wooldog"},"content":{"rendered":"
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Drawn from the dark, enchanted seas off Southern New Hampshire, Clara Berry’s<\/a> magical tales are intricately-woven pieces that dress themselves up differently for each new piece. Her haunting voice is yet another multicolored instrument in addition to a colorful buffet table that includes platters of pedal steel and baritone guitars, piano, bass, violins, violas, cello, percussion, trumpet, french horn, tuba and saxophone. That sounds like a cacophonous mess, but it’s not at all. It’s quite nice. Songs like “When This Mountain” and “Waltz for my Victims” are quieter and simpler, while “Air Traffic” is a fully orchestrated gem. There are many different shapes and colors, such as the dare I say avant-garde (and personal favorite) “Your Moon,” the jazzy “Boys,” the bluegrass-soaked “Hard Time Killing Floor Blues” and the bluesy “Stella.” Such is the journey taken on Berry’s new album, The Magician’s Wife<\/a>.<\/p>\n