{"id":11705,"date":"2014-05-05T13:29:12","date_gmt":"2014-05-05T18:29:12","guid":{"rendered":"http:\/\/www.bostonsurvivalguide.net\/wordpress\/?p=11705"},"modified":"2014-05-19T13:30:23","modified_gmt":"2014-05-19T18:30:23","slug":"owen-tromans-examining-the-golden-margins","status":"publish","type":"post","link":"https:\/\/www.bostonsurvivalguide.net\/wordpress\/2014\/05\/owen-tromans-examining-the-golden-margins\/","title":{"rendered":"Owen Tromans ~ Examining the Golden Margins"},"content":{"rendered":"
\"Owen

Owen Tromans<\/p><\/div><\/div>\n

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Released today is a new album from Owen Tromans<\/a><\/strong> (San Lorenzo<\/a><\/strong>) called Golden Margins<\/a><\/strong>, on Sacred Geometry Records. In the past, he has supported Idlewild, Best Coast and Plush, and he’s been on collections with Mercury Rev and Devendra Banhart. For this new recording, he’s back with his band The Elders.<\/p>\n

The music is beautiful and haunting with the sound steeped in the best of British chamber folk and 60s alt-country traditions. If there’s a radio single in this collection, it would have to be “Golden Margins,” which is more upbeat, punchy and lighthearted. And it’s got horns. But for a better idea of what the overall album sounds like, check out the gorgeous Americana melancholy of “Saltwater Curse” or the homey Byrds-esque backporch vibe of “White Candle Road.”<\/p>\n<\/div>\n


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