screams, whispers and songs from planet earth

Category: Indie Music Page 11 of 69

Welcome Campers: Summer Camp for Adults!

Have you ever wondered what it would be like to mix a rad music festival with your fondest childhood memories of summer camp? Wonder no longer! Welcome Campers is the brainchild of The Wild Honey Pie, a music and arts collective of filmmakers, producers, writers and designers who organize special events, create original videos and publish a music blog. Their “for adults only” summer camp concert weekend is being held August 26-28 at Camp Lenox in Lee, Massachusetts, in the heart of the beautiful Berkshires.

Classic camp activities that you enjoyed as a child — nature hikes, swimming, kayaking, volleyball, pink pong, basketball, bunk parties, tie dye, scavenger hunts, arts and crafts and much more — will be joined by intimate music performances, jam sessions and a bunk full of gear and instruments that all campers can use. Everyone is encouraged to collaborate and make music together.

Featured bands at Welcome Campers include Palehound, Calliope Musicals, Buffalo Rodeo, Kid Mountain and more to be announced.

Details about this 18+ all-inclusive musical summer camp weekend can be found on their official website. There are different packages available. All tickets include lodging, meals, drinks and complete access to music and activities.

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Introducing… Kirk Starkey

There’s no instrument quite as elegant and somber as the cello. Imagine an entire orchestra of cellos. Let yourself get lost in the unfathomable depths of “New Sudbury” by Kirk Starkey. It’s part of his instrumental song cycle titled Songs of Sudbury.

He describes the album as a “personal memoir of loss and reconnection.” It is a reflection of his birthplace of Sudbury, a mining town, the loss of his brother and a reclaiming of his past. It is, as he says, “the tracing of fragments that barely exist, and the search for meaning when it’s not clear there is any to be found.” His cello playing is deeply personal, expressing so much without any lyrics whatsoever and conveying a wealth of emotion in the various tones and subtle shadings.

Starkey, based in Hamilton, Ontario, was trained as a classical cellist, and he has worked with the Hamilton Philharmonic Orchestra, Twin Within, Capella Intima, Bud Roach, Valerie Tryon, Paul Marleyn and Suzanne Shulman, among others. His playing has been heard on various television programs, and he produces recordings of acoustic music in special locations. His Songs of Sudbury album will be released on July 22.

Listen also to his previous album, Little Gidding, released in 2011.

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Introducing… Chelan

photo by Matt Drenik

photo by Matt Drenik

For their upcoming album Vultures, Joshua Tree, California band Chelan is going big, in terms of instrumentation, production and vision. On “Beams,” the sound is lush and expansive, with layered vocals, analog sythesizers, guitar, drums, piano and cello. There’s an elegant richness that surrounds and envelops, with music and vocals that soar high, evoking majestic mountain ranges.

Chelan (pronounced “sh-lan”) started out in 2007 as the duo of Jennifer Grady, a classical music teacher, and Justin Hosford, a film and TV music composer. After releasing Equal Under Pressure in 2015, they invited drummer Chad Austinson to become a permanent member. They performed live together and wrote new music at Hosford’s Joshua Tree studio and producer Matt Drenik’s studio in Portland, Oregon. Doug Boehm (Girls, Guided by Voices) was also brought in to mix some tracks.

Vultures, their fifth full-length album, is set for release on August 26. It’s an ambitious release that pushes out from the simpler and quieter sound of previous efforts. As Hosford says, “Its been a fun challenge morphing from the mostly electronic, subdued indie aesthetic of our last couple albums to the wall of sound, big production synth pop thing we went for on this record.” It was mastered by Jared Hirshland of Elysian Mastering, with album artwork by Kime Buzzelli. The band is planning a spring 2017 tour.

Vultures Track Listing

1. Beams
2. Nothing You Can Do
3. Vultures
4. Nervous
5. Carry
6. Won’t Break
7. Photograph Remix
8. Can’t Ignore It
9. The Blue Piano

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Introducing… Basement Revolver

Having a rough day? So is Basement Revolver, though this Hamilton, Ontario trio chooses to express their misery with mesmerizing dreamy pop music. The sounds and stories flow freely with chiming-to-churning guitars, purposeful percussion and haunted angel vocals. Their debut EP, set for release on July 15 on fear of missing out records, comprises four songs of various moods. “Family” starts out like a slow dirge, with Chrisy Hurn’s evocative vocals, but then builds in intensity, using the loud/soft dynamic to great effect. A lost (or stolen?) love seems to be the subject of “Johnny,” as the unfortunate ex continually repeats the hypnotic phrase “It’s a really bad time right now,” though it all sounds so pretty and serene on the surface.


“Lake, Steel, Oil” also begins quietly and peacefully though somewhat melancholic, with a mildly disquieting presence that bubbles up from underneath, slowly building to its epic crescendo (“These days are numbered, so don’t waste them on slumber”). Stunning.

“Words” is also steeped in sadness, though these disturbing thoughts are conveyed with a voice like a clear waterfall over glistening boulders. As Hurn describes it, the song came to her while she was finishing her final university semester. She had begun to feel disillusioned with the daily slog from home to school, all the papers she had written and her honors psychology thesis. “It all began to feel meaningless,” explains Hurn. “No matter what I said, in the end, words are just words, they can be stringed together to form something powerful but without context they become as mundane and incontrollable as one’s commute to and from school. Similarly, a paper is just a paper, a degree is just a degree, and there is so much more to life than the plans and the empires that we build for ourselves.”

Basement Revolver, a pretty yet powerful trio of accomplished musicians, is Chrisy Hurn (guitar and vocals), Nimal Agalwatte (bass and synth) and Brandon Munro (drums). It’s a considerable amount of fury, social observation and musical sophistication for a band just starting out. Definitely one to keep an eye on. Their debut was recorded at TAPE Studios — engineered, produced and mixed by Adam Bentley & Jordan Mitchell and mastered by Warren Hildebrand (Orchid Tapes).

If you like what you hear, the limited edition cassette-only EP can be preordered from Big Cartel. You can also preorder it digitally from iTunes. If you’re in the Ontario region of Canada, they’ll be performing through the summer. See dates below. And tell them to cheer up! (just kidding).

Upcoming Shows

7/14 – Montreal, QC – BAD LUNCH
7/15 – Ottawa, ON – Black Squirrel Books & Café
7/16 – Hamilton, ON – (RELEASE SHOW) The Casbah
7/20 – London, ON – Call The Office
8/7 – Hamilton, ON – Seven Sundays in Gage Park
8/18 – Kingston, ON – The Mansion Kingston #
8/19 – Peterborough, ON – TBA #
8/20 – Sudbury, ON – The Townhouse Tavern #

& – Tearjerker
# – The Almighty Rhombus
% – Grey\\Water
* – Dan Edmonds

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Introducing… the existential inquiry and culinary choices of Butch Bastard

Butch Bastard (photo by Andrew Knaup)

Butch Bastard (photo by Andrew Knaup)

There’s a lot you can learn about yourself while waiting for your frozen food to be cooked in the microwave. Take it from Ian Murray, who records and performs under the name of Butch Bastard. Previously part of Poor Man, a project with his brother Peter plus Christian Wargo and Casey Wescott of Fleet Foxes, he moved from Seattle to Los Angeles two years ago to live on processed food of questionable nutritional value and ponder his life choices.

In “Waiting for a Hot Pocket,” he ponders friends dying, religion, existence, life strategies, imprisonment and freedom from choice, the daily grind of a working stiff, insomnia and living in Los Angeles.

“I try to get sleep as the boogeymen dance on the roof
I’m jaded and bored and a little bit long in the tooth
I feel out of place as I bury my face in the food
I think I’ve got something but I don’t really have any proof.

I’m trying to remember, I wonder if I ever felt this estranged in my youth
Los Angeles makes a nice place to let go of the truth.”

– Waiting for a Hot Pocket

This charming little ditty of existential dread is from his forthcoming album, “I Am Not A Man.” The songs were recorded almost entirely at his home studio and he plays most of the instruments. It was finished at Jonathan Wilson’s Fivestar Studios in Echo Park with drumming support from Mitch Rowland and Josh Tillman (Father John Misty).

Regarding the inspiration behind ‘Hot Pocket,’ Mr. Bastard states:

“By the time I had put the Hot Pocket in its cardboard sleeve, popped it in the microwave, waited for the cook cycle, popped it out, let it cool, filled a small ramekin with Ranch Dressing, and eaten it while watching the last 15 minutes of an episode of The Fresh Prince of Bel-Air, I had done enough soul searching to compose this piece.”

Goodness knows what this talented musician would have come up with if all he had was a toaster oven! Alas, we may never know.


“Magnolia,” another track from the album, was recently premiered on L.A.’s BuzzBands. Here’s the live version of the song, and be sure to read all the pop-ups for the full effect.

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Air Traffic Controller’s On The Wire Video

A quick bit of catching up is in order. Boston band Air Traffic Controller released their latest album, ‘Black Box’ back in March. Recently released is a video for a song off the album, “On The Wire,” which tells the story of female empowerment and the bonds of friendship, following a “Thelma and Louise” road trip.


The band is currently touring. See their Bandsintown page for more information.

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Introducing… Kid Coyote (sort of)

photo by Sydney Bilodeau

Actually, we have already met the Portsmouth, New Hampshire duo Kid Coyote back in 2013, though at that time they were known as Clara Berry and Wooldog. With the wool dog now metamorphosed into a kid coyote, they have released the first single “Full Moon Rising” from their upcoming new album On Borrowed Lawns. Judging by this first offering, their music has taken on a darker, more ethereal and minimalist, electronic deep space slow burn soul journey tone. What lingers, quite strongly, is a sense of intrigue and Berry’s enticing and hypnotic voice.

Like what you hear? Download it for free.. Kid Coyote is Clara Berry and Joe O’Neill, and they have a few shows coming up in New Hampshire and Maine. Check them out if you can and follow them for news about the new album.

Upcoming Shows

Jul 12 Bird’s Eye Lounge (Opening for Jessy Lanza) – Portsmouth, NH
Jul 16 Seacoast Congress of Sound – Berwick, ME
Aug 12 TBD – Portsmouth, NH – RSVP

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Do Not Forsake Me Oh My Darling Forsake Boston for L.A. – Bon Voyage!

::: Give them a raucous send-off at the Middle East Downstairs TONIGHT! :::
with special guests Psychic Dog, Endation, and Petty Morals – plus drummer Jess Townsend

Those of you who follow the Boston music scene will already know that the dynamic duo of Sophia Cacciola and Michael J. Epstein, two of the area’s creative luminaries, will soon be packing up to move west to Los Angeles. Before that happens, though, they have a special going-away party at the Middle East Downstairs — and they’ve given us a lovely going-away gift.

First, the show. They’ll be joined tonight (June 23) by special guests and friends Psychic Dog, Endation and Petty Morals, and drummer Jess Townsend will join them onstage.

As for the gift, it’s a shiny new three-song EP called In The Village. It’s very pretty, moody, ethereal and dark. How’s that for an endorsement!? Could this be a new direction for the band? Guess we’ll have to wait and see.

For everyone who has been following along, DNFMOMD is devoted to the 1960s British television series The Prisoner — hence their name and their raison d’être. The first two tracks of the EP are, in fact, episodes 13 and 14 in their Prisoner project and the third track is an absolutely hilarious and quite wonderful cover of Loverboy’s “Working for the Weekend.” Because, you know, Loverboy.

Check out their features on Boston Emissions on WZLX and Vanyaland And if you can, join them at the show!

Safe travels and best of luck, Sophia and Michael. We’ll miss you!

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Exciting New Music Frontiers: Boston Creates and the Open Music Initiative


Two stories came to my attention recently that could be potential game-changers for indie musicians. Both involve major initiatives taking place in the Boston area. One, Boston Creates, could greatly assist musicians and other artists living and working in Boston. The other, the Open Music Initiative, could impact the lives (and livelihoods) of musicians around the world.

Boston Creates

Following Boston Mayor Marty Walsh’s election in 2013, a Chief of Arts and Culture position was created along with increased funding for the arts in the city, and the Boston Creates cultural planning program was established. These sorts of initiatives tend to be very slow in coming together, but since then, they’ve been engaging the public in a series of town hall meetings, focus groups, interviews, a survey and an online map of cultural assets. Recently, the plan was drawn up and it looks like real action is about to start taking place.

The results of these efforts can now been seen in the Boston Creates Cultural Plan. There’s a lot of reading here, from information about the research process through the plan’s creation, implementation and action items. If you’re interested, do check it out. However, the basic gist of it is that the city is putting some money into improving the situation for artists and their audiences (long overdue), in addition to encouraging art education in schools (and often-overlooked subject). This is a very good thing. Some of the key problems they found include the need for affordable cultural spaces and facilities, the lack of affordable housing and work space for Boston artists and imbalances and gaps in funding for Boston artists, the arts and cultural organizations. It was also found that there is a need for better arts education programs in Boston public schools.

The good news is that they have a 10-year action plan, and the plan details recommendations and action items. Since the plan was recently approved and put into play, musicians and other artists living (or attempting to live) in the Boston area may find some help in the way of funding and resources. To keep apprised of the latest news, visit the Boston Creates site.

Open Music Initiative

This wonderful initiative began as a collaboration between the Berklee Institute for Creative Entrepreneurship (BerkleeICE) and the MIT Media Lab. They state the mission of the Open Music Initiative as being “to promote and advance the development of open source standards and innovation related to music, to help assure proper compensation for all creators, performers and rights holders of music.” Not a moment too soon. Lack of artist compensation by streaming media sites has been widely documented, and that’s just one part of the wider problem that makes it nearly impossible for musicians — unless they’re superstars — to make a decent living. The way music licensing, distribution and ownership works is complex and often quite secretive. The Open Music Initiative seeks to make the entire process more transparent and fair, and that’s definitely something to cheer.

Fortunately, there has been a lot of industry interest in this, both from big names to independent musicians. Some of the entertainment companies that have signed on include YouTube, Pandora, Spotify, Soundcloud, Netflix, NPR and major labels Universal, Sony and Warner. Perhaps if the process of identifying music rights was easier, there would be fewer lawsuits and more fairly paid artists. What they propose is a global infrastructure — a shared, open database of music ownership rights. They believe this would help to speed up payment to the artists from the entities that play their music. This would include streaming sites, internet radio, podcases, YouTube and elsewhere. As Panos Panay, founder of the Berklee Institute for Creative Entrepreneurship, describes the music business, “It’s one of the few industries that I know where you can use something and it’s OK to not really know who to pay. We don’t think that that should be acceptable.”

This ambitious project, if it is successful, will change the outdated methods of rights identification to reflect our current digital landscape. For more information, read this article from local NPR station WBUR, and visit the Open Music Initiative. For now, there will be a three-week summer innovation lab led by BerkleeICE and collaborator IDEO.

Boston Creates: web | facebook | twitter | boston creates cultural plan

Open Music Initiative: web | business wire article | yahoo finance article

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Introducing… JP Source, Jeremy Johnson and a cool Prince cover

JP Source, photo by Mary Beth

JP Source, photo by Mary Beth

Miss Prince? So does JP Source, a producer and DJ originally from the UK but now living in Louisville, Kentucky. His styles include “house, disco (new and true), downtempo, soul, funk and balearic.” I quoted that directly, because as you know, I know nothing whatsoever about such things. What I do know is that this cover of Prince’s “She’s Always In My Hair” is amazing. It’s a glorious and loving tribute, with some damn fine guitar work and compelling vocals. The song features Your Black Star member and Meta bar owner Jeremy Johnson, who is responsible for the guitar shredding and singing, and it’s produced by JP. Nice job, guys.

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