musings from boston

screams, whispers and songs from planet earth

Starlight Girls’ 7×3 – a Xiu Xiu collaboration

Here’s a little departure for me from what I typically post, but I really like this one. It’s the new single from Starlight Girls, which was produced by Xiu Xiu’s Jamie Stewart. This song is the A-side of a glow-in-the-dark star wheel 7″ record that they’re putting out on Brooklyn-based Ooh La La Records. Try this one out for a sultry and sensuous groove in which to begin your week after the long holiday weekend. Niiiiiice.

[soundcloud url=”http://api.soundcloud.com/tracks/92014790″ params=”” width=” 100%” height=”166″ iframe=”true” /]

P.S. to NY’ers – they’ll be at Glasslands Gallery in Brooklyn on 7/2.

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The Airborne Toxic Event in Boston & Burlington: All Good Things Great and Small

Boston House of Blues

Boston House of Blues

This is to be a tale about an epic performance in a big hall, and those little things that most people will never notice. The massive preparation and myriad of minute details of a touring rock ‘n’ roll band, and the inexplicable magic of people reaching a place of connection in a piece of music.

A Grand Production

It’s obvious that a lot of forethought goes into The Airborne Toxic Event’s live shows. There’s the planning of the set list, which on this current tour to support their new release, Such Hot Blood, seems to mutate not only to keep things fresh for the band and for the “frequent flyers” in the audience, but also to reflect particular local favorites and tweeted requests as they come along. Additionally, set lists are adjusted “on the fly” to accommodate mood shifts and atmospheric changes in the venue. Seriously. You rarely if ever see that level of attentiveness on the part of a touring musician. For a full stage performance like the House of Blues in Boston, there’s the stage set, which for the last few tours has been minimalist but incorporating the emotionally-charged, instantly recognizable symbols from their debut album. Those leafless winter trees and the injured bird who flies bravely on despite being pierced through by one of life’s arrows are a metaphor for the band’s central theme of enduring hardship and dancing through disaster. There’s even synchronized lighting, which helps turn a cool rock show into musical theater, complementing the orchestral arrangements and poetic lyrics and visuals. All of it comes together to bring the audience along on an emotional journey. Each song is a mini soundtrack unto itself for a loosely choreographed act of a play where band members move between instruments, interacting with the fans and with each other. Nothing less would be fitting to introduce such a dramatic and emotional album.

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Boston Calling ~ May 25 & 26 ~ welcome to the city’s first rock festival!

Boston Calling
City Hall Plaza, Boston
May 25 & 26, 2013
::: buy tickets :::
(VIP tix only)

Saturday, May 25

Fun. ~ The Shins ~ Marina and the Diamonds ~ Matt and Kim ~ Portugal. The Man ~ Cults ~ Ms Mr ~ Bad Rabbits ~ St. Lucia

Sunday, May 26

The National ~ Of Monsters and Men ~ Young the Giant ~ Andrew Bird ~ Dirty Projectors ~ Ra Ra Riot ~ The Walkmen ~ Youth Lagoon ~ Caspian

So I would be remiss in not acknowledging and commemorating the City of Boston’s very first music festival. Boston Calling is a 2-day extravaganza being held May 25 & 26 at City Hall Plaza, right in the center of Boston. For anyone who attended WFNX’s ‘Best Music Poll’ show back in 2009, this is a really cool location for live music. They also happen to have a pretty stellar line-up, no doubt due to the involvement of the National’s Aaron Dessner, who helped to curate. There are two local bands on the bill as well (which doesn’t always happen at these sorts of things — instrumental group Caspian (from Beverly) and Bad Rabbits (from Boston).

Unfortunately, after I’ve just hyped it like that, regular tickets and passes are completely sold out. However, if you’re well-heeled and enjoy the ‘Rock Star Treatment,’ you can still get single day or weekend VIP passes, which include your own entrance, VIP lounge access, food and a private bar, private restrooms and some festival swag. See the line-up below and check out a few of the featured artists performing. Happy Festival, Boston!

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Nightmare Air Return to Boston (well, Somerville actually)

Ah, the ups and downs and overall strangeness of being in an indie rock band. One day, it’s supporting The Airborne Toxic Event in big sold out love fests and the next, it’s a hard slog middle slot at the living room-sized P.A.’s Lounge in that hipster enclave, Somerville. Actually, I think P.A.’s knocked a wall down recently, so make that a large living room. If you need to have your face melted with a densely layered psychedelic-tinged full-on noise party, Nightmare Air can most definitely help you out.


They released their debut album back in March, and have some East Coast and West Coast dates planned for this month. Go see them. At P.A.’s they’re listed as second band up after Joe Turner & the Seven Levels. Tennis System is headlining. For now, turn up the volume on the video below, and imagine what this will sound like in a small room. Yowsa.

5/8 — PA’s Lounge — Somerville, MA — w/ Tennis System (L.A.), Heaven (NYC) and Joe Turner & the Seven Levels
5/9 — Shea Stadium — New York, NY — w/ Tennis System and Dead Leaf Echo
5/10 — Union Pool — New York, NY — w/ Tennis System and Heaven
5/13 — The Barbary — Philadelphia, PA — w/ Tennis System
5/15 — On the Rox (The Roxy) — Los Angeles, CA
5/20 — The Echo — Los Angeles, CA — w/ Torches (residency)
5/30 — Silverlake Lounge — Los Angeles, CA — w/ United Ghosts (residency)
6/14 — Toronto, Canada — NXNE Festival

web | facebook | twitter | youtube

Tennis System | Heaven | Joe Turner & the Seven Levels | Torches | United Ghosts | Dead Leaf Echo

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The Airborne Toxic Event: Such Hot Blood ~ Out Tuesday!

Such Hot Blood

(Island Def Jam)
Produced by Jacquire King

Release Date: Tuesday, April 30

There are so many ghosts. Whether it’s the lingering scent of a departed lover or the voices of departed family members, the feeling of loss is profound, and dealing with loss over and over again can disfigure you. But despite that, there is also strength to be gathered from all those memories and the ceaseless voices. Since The Airborne Toxic Event’s first album in 2008, loss has been a central theme. It’s been a yin and yang of heartbreak and hope, mournful melancholy and ecstatic release, untempered passion and raw emotions. What has changed is that now the band has a richer, more varied palette at their disposal with which to tell their stories. There has been a progression from their debut to All At Once to this new album in terms of the narrator’s viewpoint. It began with the immediate gut reaction to pain and hurt, told from within. The second time around, it was an assessment from the road, with the miles of separation lending objectivity to the storytelling. That’s even more pronounced now, as the view pulls out wider. It’s the sort of perspective that comes naturally with the passage of time.

The band took a bit of a risk here with Such Hot Blood. With its deeply personal narrative and chock full of sentimental, romantic ballads, it’s not going to be what everyone wants to hear. This is not an album you can dance to, unless perhaps it’s a dramatic waltz. On All At Once, they wanted to show the world what they could do, and prove that they weren’t fixed to any one genre. For this third album, there was less pressure to “prove themselves,” leaving them free to explore where each individual song took them.

This beautiful album requires complete immersion with a good pair of headphones to realize how closely bound the song arrangements are with Mikel’s introspective mini novellas. Anna, Daren, Noah and Steven each add their trademark flourishes—a pinch of piano notes here, a dash of viola melody there, a vibrant guitar burst, a percolating bass, a dramatic drum roll… There are also cameo appearances of everything else imaginable, from horns to mandolin, glockenspiel to a touch of tambourine, synthesizer to string section, and even a wistful bit of whistling. Barely a measure goes by that the instrumentation doesn’t change—something goes away, something else dances in. Melodies ebb and flow throughout each song in a complex weave, with poetic lines and repeated phrases that cast light on key issues, the repetitions themselves a metaphor for getting “stuck” in repeating life patterns. What results is a rich soundtrack that tells the story in Greek chorus fashion.

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I Had To Wake You Up

This was inspired by recent events, written on the train on my way to work. I would like to thank musician Amanda Palmer for giving me the courage to post this. She wrote a chilling and beautiful poem about Dzhokhar Tsarnaev, the surviving perpetrator of the Boston Marathon bombings. She was then forced to defend her actions on her blog. She wrote her piece in the second person. I take one step closer, in my attempt to understand what happened. The only way to have a peaceful planet is to walk for one day (or 20 minutes) in your enemy’s shoes. There is no “us and them”— it is an illusion that breeds fear, hate and then further violence.


You try to understand. How can you? Insulated and safe in your warm homes with your families, whlie the world’s children scream out in pain, from the hunger and the ravages of war. You watch it on the evening news, and it’s so far away. There’s little distinction in your mind between the newsreal and the movie you saw at the cineplex last night at the mall, surrounded by opulence. America’s wealth and arrogance screams out like a heedless vulture, spreading its massive, terrifying wings and overshadowing all below.

I was never your child, was never truly a citizen of your madness. My heart is forever of my homeland. Blood ties and heritage are stronger than your educational institutions and superficial trappings. I rode on your trains and watched everyone with their noses buried in their insignificant little lives, their insignificant little mobile devices. I pretended to be buried too, in an attempt to blend in. But I was always an outsider, always marginalized. You listened to me when I said what you wanted to hear; when I behaved as you expected a 19-year-old boy to behave. But I could see the masked intolerance, the charade of freedom.

And now you try to figure out why I did it. You debate and speculate and mispronounce my name (and not really care if you do). You sit around in New Age circles and talk about the power of love over hate, right over wrong. It is always a war for you and you are always a combatant, even when you wear your crystals and think you are so connected to the universe. I am connected to my god too. MY GOD. Allah. He told me that I must WAKE YOU UP. Make you see. Make you realize. You can’t hide inside your crystal castles and pretend that the world outside your walls doesn’t exist, doesn’t belong to you. It’s always a case of “I’ve got mine, and screw you,” isn’t it? And now you grieve for one child. One Child. What about all the other innocent little children who have lost their parents in regional conflicts? Who are dead and maimed by oppressive regimes, or by drones that miss their intended targets.

You’ll grant a people the right to freedom, but only if their world looks like yours. Only if they’ll convert to your way of thinking, to your idea of justice, your idea of faith. Your sense of truth isn’t big enough to hold the entire world with all its different views that are so alien to your own. But it isn’t “your truth.” It never belonged to you.

 

A charity to help those most affected by the tragic events in Boston on April 15, 2013.

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Walter Sickert and the Army of Broken Toys & Jaggery are off to the Wild West

I can think of no better way to come out of semi-hibernation than to promote two of my favorite Boston bands as they hit the West Coast (and Texas, whatever one calls that) — and to indulge in some pony/bunny/unicorn madness. The fact that this uber-strange video (by the inimitable Walter Sickert) seems to fit my current frame of mind is worrying indeed.

So anyway, Walter Sickert and the Army of Broken Toys have a haunting new album out mere days from now called Soft Time Traveler. It was inspired by Walter’s chance magical encounter with a deer while in Block Island, while reading about the battle between natives and American Colonists. As one might imagine, the music is filled to the brim with beauty and angst. But then, isn’t that always the case with the Army of Toys? They’re heading off with the equally awe-inspiring Jaggery. Have a listen to a few songs from the new offering, which includes one of my live favorites, “Devil’s In The Details.” And let the trance-inducing pony video revert you back to an earlier life form. If you’re not familiar with the epic productions of these two stunning bands, do see them if you can.

Also, a full stream of the entire album is available for a limited time only on American Songwriter.

Musical tornado warning for the following areas:

4/13 Seattle, WA – The Royal Room
4/14 Portland, OR – The Hollywood Theatre
4/15 San Francisco, CA – Cafe Du Nord
4/16 San Diego, CA – Queen Bee
4/17 Scottsdale, AZ – Rogue Bar
4/19 Victoria, TX – JAM Fest
4/20 Austin, TX – Swan Dive


Note: Jaggery will be doing shows as a duo (Singer Mali & Tony Leva) on their way back; check the Jaggery site for more details.

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Nightmare Air Debut Album & Tour!

IMPORTANT: SHOWS AFTER 3/29 DURHAM, NH HAVE BEEN CANCELLED DUE TO AN IMPENDING AIRBORNE TOXIC EVENT (TOUR) (congratulations guys!)

A noisy and beautiful psychedelic assault comes to Allston tomorrow night.

Nightmare Air is a band I’ve written about before in musings, as part of my annual Eastside L.A. Roundups. They’re noisy, spacey, psychedelic, powerful, and they just released their debut album, High In The Lasers. It’s an otherworldly adventure from Dave Dupuis (guitar, vocals) and Swaan Miller (bass, vocals). Both have a rich history in L.A. bands—Dave is in the band Film School, and Swaan put out an acoustic album in 2003, later released on Important Records. Jimmy Lucido joins them on drums for a full sonic assault and a wall of glorious space and distortion. Vocals veer from ethereal to paint-peeling, and the effect is hallucinatory. It was mixed by Dave Schiffman (Nine Inch Nails, Black Rebel Motorcycle Club, The Mars Volta) and mastered by Howie Weinberg (Nirvana, Sonic Youth, The White Stripes). They’re currently on tour across the U.S., about midway through (having just performed sold out shows in Cali with The Wedding Present and with fellow L.A. Eastsiders The Happy Hollows. Next up are visits to Boston, Brooklyn, New Hampshire, Maine, the Midwest and Denver, beginning tomorrow night at Great Scott in Allston.

They began back in 2008 after a Film School tour, releasing their debut EP in 2009 and touring the U.S. and Canada in support of it. They pulled off quite a feat last year for a little indie band, embarking on a 3-1/2 month, 9-country world tour with no label and no booking agency, and even before their debut album. Happily, they now have a label—two, in fact. Their debut is available from Vinyl Junkie in Japan (with alternate artwork and bonus tracks), and Saint Marie Records everywhere else. Shake off those winter cobwebs in a major way, and go see them live if you can.

web | facebook | twitter | YouTube | Filter Magazine interview (Nov. 2012)

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Mary Alouette brings gypsy jazz with a dose of electronica to the Cantab Thursday night

Next Thursday (March 21), Cantab Lounge (d.b.a. Club Bohemia) will experience a metamorphosis, turning into a gypsy jazz club of the 1930s, though with a distinctively modern twist. NYC-based Mary Alouette brings her band into town to celebrate the release of her new EP, The Lark. It follows her 2012 debut, Midas. If this were just a sassy jazz album with dazzling classical/gypsy guitar picking and a sultry and passionate vocalist, it would be wonderful. However, there’s something quite unexpected added into the mix on the new songs—a love of electronica.


Her passion for synths, beats, loop pedals and drum machines seems a bit strange when you consider her degree in opera and classical training as a vocalist. She merges all this with the gypsy guitar style of Django Reinhardt to create something quite magical. Her new album, recorded at ishlab studio in Brooklyn, is due out this month. It features an eclectic array of intrumentation—acoustic and Moog electric guitars, Moog Voyager synthesizer, loop pedals and drum machines and double bass— blending the boundaries between dance music, gypsy jazz and dreamy pop. Alouette regularly performs her gypsy jazz repertoire, and also works as a multi-instrumentalist, composer and assistant producer at ishlab, working with Daniel Lynas (A$AP Rocky, Das Racist, Neon Hitch, Skrillex). She’ll be performing with her band on Thursday night at 11pm at the Cantab’s downstairs stage.

web | facebook | twitter | bandcamp

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Introducing… Rice Cultivation Society

Hello everyone, I recently discovered something very beautiful. Since 2005, Rice Cultivation Society has been one guy (Derek Smith) living in Long Island, putting out lo-fi DIY home recordings. On his latest album released back in January, Sky Burial, he decided to bring a few friends in. The result is this gorgeous extended daydream that begins with some truly lovely John Fahey style acoustic guitar strumming and layered vocals, and then goes off into a multicolored guitar, percussion and strings-driven kaleidoscope. Folk, experimental, space music, orchestral—whatever the hell it is, it’s beautiful. Oh, and there’s some achingly lovely fragile vocals (as on the closing “Fading Stars”) that brings to mind Elliot Smith. Bejeebers, this is good.

As for their/his band name, apparently it’s a reference to a Tibetan tradition of allowing predatory birds to eat a corpse, as opposed to the more traditional burial or cremation practices. Even better. Sky Burial itself is an examination of the mystery of death, inspired by the myth of Icarus.

As fate would have it, this had been sitting in my inbox for a few months and I finally got around to listening tonight. Lo and behold, they’ve just announced a tour! Sadly, oh so sadly, they (so far) aren’t coming to Boston, but I’ll let you know where they are going. Definitely check them out if you can. And run right over to their bandcamp page and scoop this up.

Midwest/East Coast Shows

Fri 3/22 Buffalo, NY – Nietzsche’s
Sat 3/23 Columbus, OH – The Summit
Sun 3/24 Chicago, IL – Underground Wonder Bar
Mon 3/25 Chicago, IL – Wise Fool’s Pub
Tues 3/26 Bloomington, IN – Rachael’s Cafe
Wed 3/27 Gambier, OH – Village Inn
Thurs 3/28 Pittsburgh, PA – Howlers
Fri 3/29 Philadelphia, PA – Church of the Advocate
Sat 3/30 Babylon, NY – Twisted Shamrock

facebook | bandcamp | mecca lecca

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