Having been released at the start of this fast-moving year, this one nearly got by me. I’d glad it didn’t. Boston’s own Walter Sickert & The Army of Broken Toys has always been a personal favorite. This charming collection of cover tunes, appropriately (and somewhat menacingly) titled Under Your Covers, is a loving tribute to a diverse selection of fan favorites — from Iggy Pop’s “The Passenger” to Destiny’s Child’s “Bills, Bills, Bills” to “The Toys Go Winding Down” by Primus. The choices were specially requested by the band’s Come Black Magic Kickstarter backers.
Having pulled up some of the originals to hear how the Broken Toys’ re-imagingings compare, I can happily report that these songs are performed with due reverence, yet with the Toys’ trademark Gothic elegance and ominous magnificence. It’s “all hands on deck,” with Mr. Sickert on vocals, piano, guitar, effects and programming; Edrie playing with her ‘broken toys’: Rachel Jayson wielding viola and melodica; jojo the Burlesque Poetess making magic on uke and flute; Matt Zappa on percussion; Brother Bones on guitar; Mike Leggio with both stand-up and electric bass; and the legendary Mary Widow lending her vocals and mandolin. It’s a potent witches’ brew.
The Who’s “Baba O’Riley” is given a harsher modern industrial makeover, with male and female warrior vocals making this 47-year-old song seem starkly relevant. Powerful vocals and strings plus driving percussion adds immense tension to the disturbing lyrics of “Chaos & Confusion.” In “Bills, Bills, Bills,” the Army conjures a completely different song and mood, threatening serious damage and retribution. One can hardly expect to improve on Iggy Pop’s masterpiece, “The Passenger,” and in fact, I would normally cringe at the very thought of a cover of one of my Top 10 songs EVER. However, Mr. Sickert and Company do this song justice and are very faithful to the original and respectful of the Master. Rachel’s mournful gypsy viola is a gorgeous addition that I’m sure Jim would highly approve of.
At the risk of insulting hardcore fans, I won’t say which cover versions are, in my humble opinion, far superior in style and depth to the original. Several of them are. Run, don’t walk, to their Bandcamp page, name your price and download this eye-opening yet nostalgic and loving tribute. And be sure to click into each song’s page, so you can enjoy Walter’s mind-melting original art. They’re the perfect visuals for this magical mystery tour through our musical past.
Who We Are, from The Hunger Games: Catching Fire – Original Motion Picture – Imagine Dragons (2013)
The Toys Go Winding Down, from Frizzle Fry – Primus (1990)
The New Zero, from How We Quit the Forest – Rasputina (1998)
Baba O’Riley, from The Kids Are Alright – The Who (1971)
10538 Overture, from The Electric Light Orchestra – Electric Light Orchestra (1971)
Chaos & Confusion, from Space Age Senior Prom – Zerobot
Bills, Bills, Bills, from The Writing’s on the Wall – Destiny’s Child (1999)
The Passenger, from Lust for Life – Iggy Pop (1977)
Trip, from Wake No More – Porcelain
Don’t Come Around Here No More, from Southern Accents – Tom Petty and the Heartbreakers (1985)
Kingdoms & Castles, from The Triples – Abbie Barrett
Freaks, from Secret Samadhi – Live (1997)
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