musings from boston

screams, whispers and songs from planet earth

It’s Time – by RNA The Messenger Ft. Zeles and Modern Day Midas

This extremely important piece of poetry comes to you courtesy of N/A Hip Hop (previously profiled here at musings from boston) in the guise of one of his two alter egos, RNAtheMessenger. “It’s Time” was produced by Brandon Bula and also features Zeles and Modern Day Midas. It was released to commemmorate Martin Luther King Day and, as usual, I’m a bit late in posting. But (sadly) this message will likely be relevant for some time to come, until everyone hears it and gets on board. This track features artists from Boston, San Antonio and Austin who use the hip-hop genre to “stand in unity with those fighting for equality throughout the world.”

 

It’s Time

(Hook – Modern Day Midas)
It’s time to change the game
So much death and destruction
It’s time to change the game
New slaves chained to injustice
It’s time to change the game
So much pain we endure
And the rich still take from the poor,
So it’s time we even the score

RNAtheMessenger:
I wrote this song the morning Hopsin left
There’s a prophet down, do we got options left?
Called Zeles told him spit that realness
We rap to change the game swear the people gon’ feel this
If there’s a silver lining hidden in the Ferguson verdict,
Eric Garner’s lack of breath and the rest of these murders
There’s a renaissance embryonic
See the mirage and we get beyond it
Demonic nonsense, atomic bomb it
Everyday I see students struggle to balance
Social Darwinism and discovering talents
Hip Hop is culture, it’s more than just rap music
Snapback and Tattoos, you listen to that music?
Bull shit! What, you emptied a full clip?
Know this, we the new age poets
Put the POTUS on notice
We’re sick of social approaches that hold the hopeless diplomaless
So let’s go with this and know that it’s

(Hook)

Zeles:
Straight up i got money for the W lobby
but it’ll take a couple mill to go to DC to lobby
Prolly get some attention, when this thang hits YouTube
Just to have the next 3 seconds looped on Fox news

I’m tired of dem saying this happens to white kids too
True, but dude but mark my words
black and brown deaths make up the bulk of the bell curve
and my ears still ringin from the gun shots ya heard,

Thugs in the street, even more in the building
pinstriped up got they fountain pens wit them,
The food kills us and the medicine creates illness,
Let’s ban Chicano studies no need for cultured children

Won’t let the beat breath I’m just being honest
NY politicians discuss what this flow garners
We want justice so how could you oppose it
if you lookin at a timex or a rolex just know it’s

Bridge:
It’s time to make a change
It’s time to change the game
It’s time to make a, time to make a, time to make a change

Bridge – Zeles / RNA (2x)
So lets stop! Judging by the shade of our skin
And let’s stop! Perpetuating media myths
And let’s stop! And recognize we all human
So Let’s start! Today let the new era begin

(Hook)


N/A Hip Hop (a.k.a. Greg Matthew) goes by two names: RNA The Messenger and DNAtheG. Originally from Dorchester, MA, he graduated from Boston College in 2011 and is now based in Austin, Texas. DNAtheG released his debut EP, “The Code” (Echo Studios) in September 2013. RNA The Messenger’s upcoming LP “Here Cometh the Dreamer” is set for release early this year.

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Introducing… Ian Coss

If you can’t get away right now for a trip to East Asia, here’s the next best thing. Boston-based musician Ian Coss made that journey in 2011. He lived in Indonesia and Japan for a few years, creating a sort of travelogue through the eyes of a stranger in a strange land, as his own personal fantasies, concerns and anxieties wove their way through his daily encounters. He speaks of the lives of ordinary people and everyday experiences, but through a foreigner’s perspective, one who is grappling with remembrances of home and relationships he left behind. This curious narrative would become his starting point for An Act of Imagination, just released on his own Fashion People Records. The music has a bright pop sound with bits of spritely Asian pop flavor and a little Americana and even R&B mixed in, quite fitting for an American on a far Eastern adventure. The crowning jewel, in my opinion, is the song and accompanying video for “Ten Days,” a delightfully quirky observation of the final days of his physical and emotional journey.

Ian Coss isn’t just a guy; it’s a band. The album features the string arrangements of Michael Vitale, with drummer Bill Carbone (Max Creek, Melvin Sparks) and bassist Alex Chakour (Charles Bradley, Eric Krasno). Jared Sims adds a bit of saxophone, while Kelsey Tyssowski is on vocals and piccolo. Their music is highly literate and sophisticated, with the instruments in a lively and engaging conversation.

Ian Coss (the guy) is a songwriter, audio engineer and music scholar. His musical pursuits in high school, creating less than cheery Christmas albums for his family and friends (some of this can be heard on the band’s bandcamp). After returning from his exotic journey, he joined up with like-minded musicians, recording the album and creating Fashion People Records. The label was founded with musicians Alex Chakour (Sharon Jones, Charles Bradley) and Howard Feibusch (of Brooklyn trio Howard, recently covered here).

In addition to his band and label, Coss has spent several years studying Balinese gamelan music, performing with his own gender wayang quartet and Boston-based Galak Tika. He also worked on a PhD in ethnomusicology at Boston University. Not too shabby.

About Fashion People Records

The label, located in Chakour’s Amherst, Massachusetts studio, enables the founders to record, market and distribute their own music. They hope to develop a reputation for top-notch artists and high-quality recordings. So far. they’ve released Coss’s “An Act of Imagination,” Howard’s “Religion” and the debut from fellow Western Mass. band Temporary Friends.

web | facebook | twitter | bandcamp | youtube | fashion people records | hartford courant article

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Modest Mouse Returns! (with Strangers To Ourselves, coming soon)

This is about when we last saw them.

This is about when we last saw them.

Typically we’re all about struggling indie bands here, but I do on occasion make an exception or two for my favorites. Here’s one of those. The good thing about covering a better known band is that I can dispense with the background information, cut to the chase with the new music and call it a night. Modest Mouse are back, their new album Strangers To Ourselves comes out on March 3 on some obscure little indie label called Epic Records, and for now, you can listen to “Lampshades On Fire” (because, you know, it’s not being played anywhere). It really chugs along, doesn’t it? Assume there will be a tour announced soon.

That’s all, bye.


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Ajda the Turkish Queen and her Beautiful Boot Leg

For those of you unfamiliar with Ajda the Turkish Queen, she’s one of Boston’s musical treasures, best known as the compelling frontwoman of the dark and mysteriously stunning Black Fortress of Opium. After many requests through the years for a solo album, this extremely talented multi-instrumentalist has finally dipped her toe into the waters with a 15-track live album titled Beautiful Boot Leg — Live at Rick Walker’s. It was recorded July 13, 2014 by her friend Rick Walker at Rick Walker’s, a Boston institution and supplier of “rock ‘n’ roll cowboy clothes” since 1932.

It’s an eclectic musical selection that features some of her solo work, first ever debuts, some new and unreleased Black Fortress of Opium songs and a Johnny Thunders cover. She accompanies her gorgeous voice on guitar and mandolin. Though I’ve seen her perform with ‘BFOO,’ this is my first time hearing her solo, and she’s just stunning. Her sound is beautifully influenced by her Turkish heritage, though she surprisingly gets a little country in the aptly titled “Mighty Fine Day.” This heaping helping of Ajda and the promise of more to come makes it a mighty fine day indeed.

Have a listen, buy a copy and keep an eye out for a studio solo album at some point in the future, when she’s able to “rustle up the funds.” Hm, do I sense a crowdfunding campaign coming up?

Originally from Houston, Texas and now based in Boston, Ajda has been performing since 1997. Between her solo and band projects, she has appeared alongside such artists and groups as Andrew Bird, Franz Ferdinand, Bill Laswell, The Dresden Dolls, John Zorn and His Name is Alive. Her styles have included psychedelic pop, goth rock and cabaret, and has recorded everything from pop and electronic music to modern classical music. She also contributes to film soundtracks.

Ajda the Turkish Queen will be celebrating the release of Beautiful Boot Leg – Live at Rick Walker’s with a show at the legendary Plough & Stars in Cambridge. Details follow.

Saturday January 31st, 2015
Plough & Stars
912 Massachusetts Avenue, Cambridge, MA
10PM, 21+ | ::: Facebook Event :::
10:15PM Ajda’s New record!
11PM Anubis Pop melodic psyche-pop
11:45PM The Freeways ~ sun-gaze, psych-haze

Ajda the Turkish Queen: web | facebook | twitter | bandcamp
Black Fortress of Opium: facebook | twitter | bandcamp

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Introducing… Dorthia Cottrell (of Windhand)

Photo by Jordan Vance

Photo by Jordan Vance

In the dark of night with a cold wind howling is the perfect setting for listening to the songs of Dorthia Cottrell. As lead singer for the doom metal band Windhand, Ms. Cottrell usually sounds like something crawling out of a dank crypt to seek revenge. For her debut solo album, however, due out on March 3 on Forcefield Records, she’s considerably softened it up into a somber prayer. The dark Americana music complements her hypnotic voice, and the sweet graveyard dirge that minimally accompanies her on “Gold,” the first single, is spot-on perfect.

She grew up with music as an integral part of her family life, playing piano and singing with her grandmother or her father while he played guitar. She learned guitar as a teenager and began writing songs. Moving to Richmond, Virginia, she joined up with Windhand in 2009, and they released their debut album in 2012. They signed with Relapse records in 2013 after releasing a split album with fellow Richmond band Cough on that label. They toured steadily and released their highly regarded Soma album in 2013.

Stereogum has just premiered “Kneeler,” another track from Cottrell’s forthcoming album. I don’t see mention of a tour yet, but keep an eye on her Facebook page.

tumblr | facebook | bandcamp | forcefield records | Windhand

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As We Sat Watching The Oven Fire: The Year In Review

I don’t know what it was about 2014. Throughout it, as the steady stream of disturbing news stories flowed by, I remained more fortunate than many others, in both my situation and circumstances. And yet, it felt like I was battling an ever-vigilant adversary at every turn. I was inevitably a day late and a dollar short in every aspect of my life, and this was the year I came suddenly face to face with my own mortality and worse still, my physical and emotional limitations. I’ve never felt completely invincible, especially not where my mental faculties are concerned, but at least I thought I could withstand the usual stresses and maintain a certain level of physical fortitude to get me through long work hours and multiple concerns. This year, for some reason, it felt like all bets were off.

Anxieties and broken sleep got the better of me and for the first time in my life, I felt fragile and unable to do anything about it. I found it unfathomable that the general populace could go on about their business while everything seemed to be quickly unraveling. So much war and strife, terror organizations and fleeing refugees, racism and militarized police forces, uncontrollable diseases, self-serving politicians and widening wealth disparity, climate change beyond the point of no return, general malaise and a feeling of powerlessness. And even with how much I felt I wanted to “do something,” I woke up most mornings feeling like I was not quite caught up and on board with my own life, let alone able to take on something else.

The fire in my parents’ oven last autumn was a good metaphor for how I felt all year. It was while I was visiting them, possibly in November. I don’t recall what my dad was cooking. Suddenly we noticed a raging fire in the stove from where we sat at the kitchen table, a few feet away. The odd thing is, for a good 20 seconds, we both sat there and watched as the flames shot out through the open door, as if absorbed in an engaging PBS special. Dad had just been telling me how he felt overwhelmed caring for mom day and night, while a confusing parade of nurses and aids came and went, sometimes helping but mostly making his life even more exhausting. I was at a complete loss and did not know what to suggest, though I heard myself casually ask, through the haze, “do you have any baking soda?”

He slowly stood up and retrieved it and in a fog, tossed a few handfuls into the oven, which quelled the flames. The other issues would not be so straightforward and easily solvable.

Entering into 2015, I felt some of the bone-tired weariness and pessimism lift, just a little. It was enough to feel like I might have some minor degree of control over my destiny, or at least perhaps the power to make some necessary adjustments. For that, I remain hopeful. Maybe it is a year to selfishly concentrate on my own well-being first, and only then, see what I can do to send help out into the world, from a more mentally and physically stable place. I’m reminded of the oxygen mask instructions for emergency airline procedures — “If you are travelling with a child or someone who requires assistance, secure your own mask first, and then assist the other person.”

For all of you and everyone else out there, I wish a peaceful, purposeful and more loving and compassionate 2015. And for those who are responsible for the well-being of others, and for those of you who wake up in the middle of the night, like I do, anxious and worried about the general state of things, remember this. Be good to yourself. Find time for what’s most important, for you. Secure your own mask first.

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Introducing… The Tulips

They might have named their most recent single “Winter Winds,” but this new psychedelic/folk daydream by Los Angeles band The Tulips sounds far more like a gentle summer breeze. And as true winter winds whip outside my frozen windows here in New England, that’s perfectly fine by me.

This is the second single from Echo Blue, their second album, set for release in early 2015. This dreamy acoustic-based music is created by Jared Petrich, Dana Rogge, Adam Halferty and their friends. They began in the MacArthur Park area of downtown Los Angeles with their debut release, Mother Universe. Echo Blue heralds a larger sound, with the music recorded in a historic hotel and church. The first single released was “Scorpion Moon.” You can purchase “Winter Winds” from CDBaby.

If you’re in the L.A. area, The Tulips have a show coming up at The Viper Room in West Hollywood on January 9. They’ll be performing with Jimmy Gnecco (of OURS) and 8MM.

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Introducing… Emmy The Great

Photo Credit: Alex Lake

Photo Credit: Alex Lake

Whether it’s the sepia-toned slow-motion tour of someone’s derelict and empty L.A. spread, the haunting holographic narrator or the equally haunting slightly off-kilter lounge vocals, I’m not exactly sure, but the end result is quite unsettling… and very lovely. This video by Emmy The Great is for “Swimming Pool,” the lead single from her upcoming EP S, due out January 27 on Bella Union. It features Tom Fleming (Wild Beasts) on beautifully complementary baritone vocals, and is directed by Sebastian Pardo.

Her previous recordings have been personal and introspective. On this new 4-track EP, her view turns outward, inspired by places she visited as she searched for new inspiration — Salt Lake City, Tokyo, Hong Kong, Los Angeles, New York and London. “Social Halo” speaks of public anxiety, alternately sweet and slightly off-kilter in its mood. “Solar Panels” contemplates California dreaming, alternative energy and interconnectedness amidst swirling synths. “Somerset (I Can’t Get Over)” is more personal, a plea to a lost lover. The EP was recorded in L.A. with Ludwig Goransson (Haim, Childish Gambino) and in London with Dave McCracken (Oh Land, Beyonce).

Born in Hong Kong, raised in London and now based in New York, Emmy The Great (a.k.a. Emma-Lee Moss) is a singer-songwriter and journalist who has performed with Lightspeed Champion and Noah and the Whale. Her solo career began in 2006, and she released her debut single “Secret Circus.” Her debut album First Love (2009) was followed by Virtue in 2011. She has written for Artrocker, the Observer UK and Drowned in Sound, among others.

There are currently plans for shows in the U.K. at the end of January and East Coast U.S. shows set for mid-February. She’ll be performing at Mercury Lounge in New York on February 19th and at Great Scott in Allston on February 21st.

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Introducing… Chief Ghoul

Chief Ghoul might not have been the best name choice for Lee Miles’ musical project. The name suggests, if not an ear-splitting death metal band, then maybe a punk band that plays seasonally at Halloween inside haunted houses. It might be considered “spooky alt-country folk rock,” but lo-fi acoustic guitar strumming and bluesy late-night graveyard vocals make his personal brand of storytelling quite tasty and, in my opinion, not scary at all. In fact, I find this music to be rather comforting, but that may just be me. Mr. Ghoul will be releasing his third album, appropriately titled III, which is due out in the spring. Meanwhile, you can enjoy (or be frightened by) the debut single, “Done Dabbled.” The song portrays his audience as “dabblers” (as in dabblers in the occult). The album was recorded in three short days at Chicago’s The Nook Recording Studio, produced by Nick Nativo.

Hailing from Chicago, Chief Ghoul cites King Dude, Bob Dylan and The Dutchess and the Duke as major influences. He has two other albums, the second of which is Songs From The Dusk (2013). And oh my, just feast your ears on some delicious slide guitar and haunting blues vocals in a song from that second album, “Raise This River.” In 2015, Chief Ghoul will be getting out on the road and touring, so keep an eye out and exorcise (or just exercise) some demons.

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Introducing… Sky Picnic

Oh, sorry. Didn’t mean to drift away on you there. I was enjoying a pleasant daydream in a vibrant summer meadow, with the soft rustle of leaves and the fragrant scent of an exotic substance in the air. No, it’s not a flashback to the 1960s, though one might think so with Brooklyn-based psychedelic wanderers Sky Picnic. This kaleidoscopic musical journey is brought to you courtesy of the third band in our Brooklyn trilogy. Their latest single “Upon Further Reflection” is from their third album, Her Dawn Wardrobe, which was released back in October on UK label Mega Dodo.

Since their first album, Farther In This Fairy Tale (originally self-released in 2010), Sky Picnic have captured the dreamy mood of 60s psychedelia with a modern sensibility (and no doubt better recording equipment). They go off on instrumental trips that have some jazz and experimental influences, which combine to fully envelop the listener. On Her Dawn Wardrobe, this interconnected album of songs flows from daytime into nighttime, and then back into dawn. If you order the limited edition gray vinyl version (which includes a digital download), the day-to-night journey is on side one and side two travels from night back into dawn.

Their live performances have included the Firefly Music Festival and Red Bull Sound Select series. Upcoming shows are Pianos in NYC on January 9; The Rock Shop in Brooklyn on January 28 and Bar Matchless in Brooklyn on February 14.

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