This is to be a tale about an epic performance in a big hall, and those little things that most people will never notice. The massive preparation and myriad of minute details of a touring rock ‘n’ roll band, and the inexplicable magic of people reaching a place of connection in a piece of music.
A Grand Production
It’s obvious that a lot of forethought goes into The Airborne Toxic Event’s live shows. There’s the planning of the set list, which on this current tour to support their new release, Such Hot Blood, seems to mutate not only to keep things fresh for the band and for the “frequent flyers” in the audience, but also to reflect particular local favorites and tweeted requests as they come along. Additionally, set lists are adjusted “on the fly” to accommodate mood shifts and atmospheric changes in the venue. Seriously. You rarely if ever see that level of attentiveness on the part of a touring musician. For a full stage performance like the House of Blues in Boston, there’s the stage set, which for the last few tours has been minimalist but incorporating the emotionally-charged, instantly recognizable symbols from their debut album. Those leafless winter trees and the injured bird who flies bravely on despite being pierced through by one of life’s arrows are a metaphor for the band’s central theme of enduring hardship and dancing through disaster. There’s even synchronized lighting, which helps turn a cool rock show into musical theater, complementing the orchestral arrangements and poetic lyrics and visuals. All of it comes together to bring the audience along on an emotional journey. Each song is a mini soundtrack unto itself for a loosely choreographed act of a play where band members move between instruments, interacting with the fans and with each other. Nothing less would be fitting to introduce such a dramatic and emotional album.