musings from boston

screams, whispers and songs from planet earth

Midnight Cities’ debut EP, Ignite!

Photo Credit: Elton Anderson

Photo Credit: Elton Anderson

I had the pleasure of seeing Los Angeles trio Midnight Cities last year during a cosmic whirlwind and existential crisis of a West Coast holiday. Midnight Cities features Simon Cardoza on guitar, piano and vocals; Martin Avelar on bass and Nick Roumeliotis on drums. They’ve just released their debut Ignite EP, on which they can be found bolting straight out of the gate on the powerful opener, “Collide.” On “Slow Down Girl,” the first single, the frenetic, driving pace continues. Things go off the rails a bit, musically and lyrically, on the last two tracks, “Meds” (with the delightfully off-balance refrain “TAKE YOUR MEEDDDDS! TAKE YOUR MEEDDDDS!”) and “Losing All My Friends,” which is first infused with sadness and then neurosis (“I’m only alone… in my mind”). In the midst of the emotional maelstrom is a dreamy and rather romantic interlude, due in no so part to Simon Cardoza’s passionate vocals. As unsettling as the other tracks are, “Soon We’ll All Be Shown” and “So Far” are quite pretty and peaceful. The latter also features lovely piano at the start and some luxuriously free-flowing lead guitar toward the end. Personal favorites: “So Far” and “Losing All My Friends.”

The EP was produced by Simon and Sean Tallman (Lilly Allen, Miley Cyrus, Ne-Yo, Deftones, Outcast, Gwen Stefani and Kelly Clarkson – that’s quite a combo). The video for “Slow Down Girl” features actress Megan Duffy. They’ll be releasing more videos soon, and are already working on another EP, Starlight, which is due out early next year.

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The Busker Diaries

Back in September, I heard about a music documentary miniseries from Berlin, Germany called the Busker Diaries. This is to be an ongoing series to promote and support the street performance culture. Living in the Boston area, I’ve always been amazed at the courage and commitment it takes to play your music on the city streets (and sometimes underneath the city streets, on noisy train platforms). To believe in yourself and your art that much is an inspiration. The next time you see a street musician pouring their heart out, stop and show your support. Listen for a few moments and give a little donation, even if it’s just a bit of spare change.

The Busker Diaries don’t seem to have a site, but they’ve released the first installment, featuring Katie O’Connor from Galway, Ireland, with her song “City Blue.” She also talks about her life in Berlin as a street musician (or in European lingo, busker).

The Busker Sessions are going to be featuring buskers from around the world, with a new artist every month. If you’re a street performer, email them for a chance to be featured. They plan to show not only the performance side of musicians, but their private side as well, at home and around the city where they live and work. They’ll talk about what it’s like to play on the street as opposed to a proper venue, what it takes to survive and other aspects of their unique way of life.

The Busker Diaries are the creative project of producer Julian Krohn (ex-A&R at Universal Music, freelance artist developer and music consultant) and director/cinematographer Fabian Frost (photographer and director).

“I think it is good to throw yourself back into the deep end when the pool starts to get shallow or you grow longer legs or whatever happens and sometimes it’s just good to go and try something new and be challenged and be in a place that makes you less comfortable than where you are…” – Katie O’ Connor

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Good Night, Sweet Prince

KITT, 1993-2014

KITT, 1993-2014

It was ironic that it should happen on Halloween, the ancient Celtic holiday of Samhain. For some, it is a day that honors those who have departed the world of the living; for others, it is a night of horrors. How wonderfully and horribly appropriate that I should realize, on this fateful day, that it was over and you were gone. I was always the one who wanted more, who tried to stretch things out past their logical expiration date — whether it was a dead-end or even non-paying job, an unhappy or even soul-killing relationship, an outmoded ideal or a package of wilting salad greens. I suppose it was the desire to stick with it, to not give up, to be loyal, to be thrifty. But sometimes loss is inevitable. Death certainly is inevitable. That spinach is well past its prime and should be thrown out. A long-held belief about oneself that makes no sense anymore must be disposed of. A long-term relationship that is no longer healthy or beneficial must end. It was time to let go.

It was an accident that you came into my life. I was driving to work, a 40 minute trip out to Framingham to a new job I was excited about. I had made the decision to pursue my dream to work in the music business, no matter what it took. I accepted an internship at an indie label called Northeastern Records, a position that would soon lead to a full time yet low paying career, and one of the most personally satisfying and fun jobs I ever had. It was a rainy morning, and I was driving down a side street near our tiny office. A woman on a perpendicular side street, stopped at a sign, either didn’t see me or misjudged my distance and darted out in front of me. I was fine, but my Nissan Sentra was totaled. Truth be told, I hated that car. It had all the exuberance of a drugged turtle and the physique of a tin can.

If you’ll recall, KITT, we first met at a Toyota dealer in Brighton, where we were both living at the time. It was love at first sight. I’d like to think you felt the same. After a failed relationship, it is difficult to trust again, but you made it easy. Serene, proud and blue, you calmed my frazzled nerves, uplifted my spirits and assured me that it would be alright. You would keep me safe. You would keep me going.

My god, all the times we shared! There were those heady early days of our life together, when the third person at the indie label quit and I was subsequently promoted to promotions director. There we were, blazing down route 9 back to Boston, my head filled with pride at having seen my name listed in Billboard’s directory of music professionals. This was it, my dear friend, we had arrived! We moved out of the dirty city to the (still rather dirty) quasi-suburbs of Somerville, where you finally had your very own driveway to sleep in. Better still when we moved to our little island, though I know the salt air (and Boston’s salted winter roads) did not agree with your metal constitution.

I always enjoyed you, whether it was during our frequent trips down to Connecticut to see my parents, or up to Newburyport and on other nature sojourns and quaint festivals all across New England. All those precious times that we had to ourselves, to discuss the events of the day and relax in private contemplation. There were our summer trips to North Truro, when that part of Cape Cod was still secluded and bohemian, our whirlwind escapades to New York City and our many trips into Boston to attend concerts and special events and meet up with friends. I remember it all so clearly as if it were yesterday!

Oh KITT, you were a steady partner and a bold adventurer, whether cruising along on a sunny and beautiful day or struggling through a near hurricane or an icy frozen blizzard. The years and hard times took its toll on you and me both, but you never let me down. Even just recently, though I could sense that you were tired, so tired, you and I took little road trips to Manhattan, upstate New York, New Jersey, Providence (and Pawtucket — what a strange little town!), Hartford, Burlington and even up to Montreal! Sharing our love for good music, what a special time we had…

So it saddens me to see you now, resting peacefully in the driveway of our seaside home, leaking enough gasoline to asphyxiate a small town, but loss and change is as inevitable as the ebbing and flowing tides of the ocean. These beautiful memories are what will endure as I say goodbye. My dear friend, my companion, your spirit lives on forever, and may your rusted and dented metal exterior rise again in its new form to begin again. I will remember you always.

“Good night, sweet prince; and flights of angels sing thee to thy rest!”
— William Shakespeare

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Attention all dreamers: Pisces releases their debut album!

Sarah Negahdari presents us with a magical gift.

Sarah Negahdari presents us with a magical gift.

It’s been a little while since we last checked in with Miss Sarah Negahdari, shamanic banshee of Happy Hollows, rockin’ pop-up bassist extraordinaire for Silversun Pickups and musical sorceress for her own incredibly amazing and breathtaking side project, Pisces. This elfin fairy princess of the Silverlake/Echo Park musical kingdom possesses a giant’s treasure trove of talent.

The long-anticipated debut album from Pisces is a masterpiece. It’s bursting with all the pixie dust otherworldly beauty, gentle pastel swirls of painted horses, unfurled psychedelic fury, acoustic and electric guitar magic and ethereal, angelic voices that define its creator. The first video, “Being With You,” flows as beautifully and dives as deeply as the song that inspired it. Sarah, the woodland creature, kiddie pool princess, conjurer, seashell collector, daydreamer, city dweller, painted unicorn, keeper of the colored orbs, folksinger, whirling dervish, mermaid.

Immerse yourself in the deep, mysterious waters of Pisces and support this fine, fine artist.

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Introducing… The Isan Project

There may be nothing more effective in bridging the gap between vastly different cultures, in in highlighting our unique qualities and those characteristics we share, than an artistic endeavor. It’s exciting to see the results of a cross-cultural collaboration, especially when one is surprised by similarities in style and sensibility among seemingly diverse art forms in lands separated by thousands of miles.

The Isan Project is one such collaboration. It started when producer Will Robinson visited Thailand on holiday. He discovered an Isan band on the Sukhumvit road in Bangkok. They were performing and busking for money. Isan is a province in Northeast Thailand, poor in wealth but rich in musical history. He was introduced to the Phin guitar and then heard a Mor lam singer from a taxi. He was fascinated and began his research into Isan music. He met Thai musicians Fatboyz Ford and Koh Saxman and went a pilgrimmage to Isan to experience the music for himself, with camera crew in tow. This experience and a subsequent video blog inspired him to fuse the music of Isan with contemporary sounds from New York and London.

The Isan Project’s first single “Forever (Dance Remix)” is based on a lovely ballad written on the banks of the Chao Phraya River in Bangkok and performed by UK artist Richie Dews and Thai soul singer Mariam of B5. The two remixes of the single have been played in more than half the U.K. clubs. The song is available on iTunes.

What blew me away was seeing the video. It was filmed in New York, Bankok and Wat Muang, a monastery in the Ang Thong province which is home to the Great Buddha of Thailand. Musically and stylistically, it fuses Isan sounds and dance with western music and dance. Even more startling than the differences in locations, from Udon Thani to the streets of New York City, are the similarities in style and well, heart. The video was produced in Thailand, U.S., U.K. and Denmark by Will Robinson and Michael Graves.

Stay tuned for more from this international collaboration of Thai and Western music, The Isan Project.

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James Roseman releases his debut demo tape

I was first knocked sideways by James Roseman’s music back in the summer of 2012. He had just released his debut album, Words and Tricks, where he accompanied himself on acoustic guitar, saxophone and drums. In it, I found a wise and sly old soul trapped inside an 18-year-old body. Wiser and slyer and a few years later, today James releases The Demo Tape, which can be listened to on iTunes, Spotify and Bandcamp.


This is billed as his “debut 3-song demo” and indeed, it’s a stylistic departure from his earlier work. With the same wry, sophisticated lyrics, the music is far more developed and professional. He might call it a demo, but clearly a lot of attention was paid to production values this time around. Fortunately, his warm, intimate and insanely charming style is left beautifully intact. “Wasting My Time” is a pretty, haunting reflection about a one-sided relationship that’s far too jaded and insightful for a 21-year-old. In addition to his spare, sharp and sparkling musicianship, Roseman has a gift for storytelling, as is evident in “Jack Rose.” He uses acoustic guitar melodies, a touch of bass and handclaps to great effect, perfectly highlighting his vocals and harmonies. I’m still working out the deeper meaning of “Croesus Curse” but there seems to be a central theme running through these songs that has to do with what one does in one’s life and the regret of wasted time. “Croesus Curse” uses the same minimalist percussive sounds and handclaps with haunting guitar melodies. Brilliant.

I’ll be on the lookout for any live appearances and will list them here. Meanwhile, James is attending Tufts University in pursuit of a Computer Science degree and continues to explore his creative side, actively looking for gigs in the greater Boston area. Musicians and promoters, take note!

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Introducing… Esthema

If you’re a sucker for strings (and organic percussion) like I am, you should be listening to Boston-based instrumental ensemble Esthema. Theirs is a Middle Eastern, Near Eastern and Balkan sound, steeped in tradition but with jazz fusion, progressive rock and at times even classical sensibilities. The result is sophisticated, exotic, exhuberant and mesmerizing. This past summer, they released their third album, Long Goodbye, and on November 20, they will be having a celebration of this release at the esteemed Cambridge jazz club, Ryles. They’ll also be at Lilypad on November 2. The new recording is an introspective concept album that features Andy Milas (guitar), Onur Dilisen (violin), Naseem Alatrash (cello), Mac Ritchey (oud & bouzouki), Tom Martin (bass) and George Lernis (drums & percussion). You can learn more about everyone’s impressive backgrounds and musical prowess on their official site. For now, listen below to a live version of “Three Sides To Every Story.”

Esthema dates back to 2006. In the summer of 2007, they released their debut, Apart From The Rest. That was followed by The Hearness and Nowness of Things in 2009. Their music was named in the Top 25 independent recordings of 2008 at Indie-Music.com, and these first two CDs have been in the weekly Top 20 at Latch Fusion Radio alongside such artists as Herbie Hancock, Return to Forever and the Mahavishnu Orchestra. They’ve gotten radio airplay in the U.S., Europe and Turkey, and in 2010, the International Association of Independent Recording Artists (IAIRA) certified Esthema’s “Eastern Dance” as an International Top 10.

But never mind all that. The proof of truly great music is what happens between a person’s ears when they listen to it. Here is “Without A Moment’s Notice”:

And here’s some visual proof that these guys are really as amazing as they sound.

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Introducing… In The Valley Below

At the Boston House of Blues

At the Boston House of Blues

An opening band can often be a dicey proposition, both for the audience waiting for their favorites and for the band themselves, the big unknown being whether or not that headliner’s fans will appreciate what you’re doing — or if they’ll even arrive early enough to find out. Joining The Airborne Toxic Event on their current two month U.S. and Canadian tour is a fellow Eastside L.A. band, In The Valley Below.

They met while in a “fuzz-box rock band.” Guitarist Jeffrey Jacob is originally from Memphis and is quite the guitar wailer, as he amply demonstrated at the shows I attended. Angela Gail, from Michigan, is an ethereal figure who apparently found her muse while on a sailboat in the West Indies. They both have smooth-as-silk vocals that exquisitely weave together. Their musical moods range from Americana folk with a tinge of country to artsy pop to gritty Memphis guitar jams. Oh yes, they also have a kind of Southern Gothic thing going on as well.

A year ago, The Guardian described them as an “LA mixed-sex duo who dress like Quakers and sound like an electropop Buckingham-Nicks.” Hilarious and actually, not that far off the mark.

Terminal 5, New York City

Their debut album, The Belt, came out last year. They wrote, produced and recorded in a home studio. They also mixed two of the tracks, while the others were overseen by a handful of different producers — John Congleton (David Byrne, St. Vincent), Dave Sardy (Band of Horses, Oasis), Lasse Marten (Lykke Li, Peter, Bjorn & John) and Pete Min. It’s slickly put together, bold and expansive, with Jacob’s and Gail’s vocals interweaving and engaged in a stunning dance. They complement each other beautifully, and the album’s production brings out their dramatic presentation, particularly on songs like “Hymnal” and “Searching for a Devil.” Other standout tracks for me are “Dove Season” and “Lover,” although “Peaches” (which has a more pop-ish, radio-friendly sound) is the first single and it seems to be gaining in popularity.

Having said all that, I find that in live performance, they’re far more effective. The chemistry of the couple doesn’t come across anywhere near as strongly as when you’re witnessing it in concert. They present a stunning visual portrait and I can’t imagine it would be possible to fully reproduce the sensuous interactions, subtle flirtations and furtive glances that bring their music fully to life and create an absolutely hypnotic performance. Unencumbered by all the studio production, their music truly soars. Everything feels closer and more immediate.

They still have a handful of shows left with Airborne. After Denver’s Ogden Theatre on November 7, they have a few more scheduled on their own. They’ll be at the Troubadour in Los Angeles on December 3 with Caught A Ghost, and in Portland on December 4 for a sold out show with Kongos for 94.7 FM’s A December to Remember. See their tour schedule. And if you can’t catch them in concert this time around, you might be able to get a taste of another project they’ve been working on. In addition to their band duties, they brew their own beer at their home in Echo Park, which may be available to the public in the near future.

At the Fillmore in San Francisco

At the Fillmore in San Francisco

At Terminal 5 in New York City

At Terminal 5 in New York City

Photos are from The Fillmore in San Francisco (10/19), Boston House of Blues (10/4), Terminal 5 in New York City (10/7) and Higher Ground in Burlington, Vermont (10/9)





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Introducing… Seaver’s Express

Here’s some fresh, upbeat music for you today. It’s Seaver’s Express, a Boston quintet with a light, bouncy indie rock style that’s nice to put on first thing in the morning to get you going, along with your orange juice.

The band came into being just last year, starting as a solo project from guitarist Sean Seaver (the name pays homage to his family’s trucking and shipping business). The first band members added were fellow BC sophomore Jacob Monk and Berklee College of Music student Chris Southiere. They released their first EP, Parachute, in September. The band now consists of Sean (guitar), Chris (drums), Brian Seaver (vocals and rhythm guitar), will Lyle (bass) and Zoe Ainsburg (keyboards and vocals). Musical influences include the Strokes and Vampire Weekend. They’ve performed at local clubs like the Middle East, Cantab and T.T. the Bear’s Place. “A Different Gravity” was released back in April, the first with all five band members. They also won Boston College’s annual “Battle of the Bands.” They’re on track to release their debut album by the end of the year. For now, have a listen to “2×2.” This track is also featured on Green Line Records’ 2014 September Singles Series.

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The Grownup Noise and their beautiful new album – Release Show Tonight! Somerville Armory!

The Grownup Noise
Album Release Party
Saturday, October 4 at 8 p.m.
at the Somerville Armory
with special guests Winterpills and pop up art show featuring the work of John Jorgenson (who’s featured on the cover of the new album)
::: Info & Tickets :::

Yes, it’s true, I haven’t posted anything for a month. It’s been a series of adventures and misadventures, but this morning I find myself getting a badly needed dose of beautiful musical medicine to sooth my weary soul. It’s the new baby album from proud parents The Grownup Noise, who have been featured and appreciated in this blog on several occasions, if feeble memory serves.


The Problem With Living In The Moment is a stunning album, with the swirling gypsy strings, rolling percussion, crazy accordion and banjo and god-knows-what-else cacophony twirling madly around sharply perceptive, thoughtful and mature lyrics that I’ve come to now expect from this fine, fine band. This is definitely feel-good music for grownups with a touch of wistfulness that one needs to tack a few years on to truly appreciate… But don’t get me wrong, there’s plenty of rollicking good wholesome dancy jams to kick up your heels to.

Listen to a few of the songs from the new album below, and if you’re in the area, head on out to their party tonight – admission to the (dirt cheap) show includes the new album! You won’t find a better deal than that.

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