As I told the Siara boys after their deeply gratifying set of life-affirming rock ‘n’ roll, “thanks man, I really needed that.” Yup, tough year. What can I say? Read more of my heartfelt gratitude on Ryan’s Smashing Life. I gave him the photos that didn’t look like I shot them in a dark underwater cave. Apart from the ridiculous volume level for two dozen of us in a place the size of a shoebox, they also have a rather creative lighting technique, whereby they illuminate the audience but leave the performers in semi-darkness. Actually, we later decided that was good for bands with bad hangovers; Joey said it was nice and subdued, and he could see all of us just fine. Awesome.
share this:Tag: The Henry Clay People
Just a quickie to commemorate this happy event: The Henry Clay People back in Boston, this time as headliners (yay!) at T.T. the Bear’s Place on Sunday night. They go on at 11, after sets from Cambridge-based Wildfowl and NYC’s The Dig. Have a look at my little preview on Ryan’s Smashing Life.
share this:Don’t think of this as a review. Think of it as a commemoration of an unusual event. A last minute change of plans (thanks to my friend Elizabeth, a benefactor of the arts in the truest sense) found me packed in alongside sweaty drunken college students on Lansdowne Street, at WFNX’s Clambake. Which was something of a misnomer, as no one but the giant lobster knew where the heck the clams were, but with an amazing lineup of bands (especially during the outdoor portion), all is forgiven.
share this:The Airborne Toxic Event, The Henry Clay People, and Red Cortez at the House of Blues, Boston, MA, October 13, 2009
On a chilly autumn night in the rather impersonal caverns of the new Landsdown Street House of Blues, this show had the feeling of a family barbecue on a lazy, warm summer afternoon. Anna’s hometown and the rest of the band’s adopted one, it’s clearly a special place for them, and while it’s not like being back home in L.A. with family and friends, I like to think it a reasonable facsimile. A comforting respite from the long and weary road.
share this:Man, I love these guys. I first discovered them via The Airborne Toxic Event, when I went absolutely batshit nuts over the first three Silverlake bands I heard – TATE, Castledoor, and The Deadly Syndrome (that now legendary final Spaceland residency show in January 2008). From there I started researching all the bands that played around Silverlake and Echo Park, and it was a revelation. Not unlike the one I had in the early 00’s when I discovered – 10 years after everyone else in America – the whole New Zealand Flying Nun thing. And not unlike the NZ stuff, there’s this lyrical sophistication and slightly off-kilter quality running through many of these bands that greatly appeals to me. The Henry Clay People has this intelligence and quirkiness in vast overflowing abundance. Mix that with classic and punk rock sounds, a bit of country-flavoring and indie rock sensibility, and you’ve got something pretty damned irresistible.
share this:It was one of those odd moments of serendipity. This morning, I was thinking it was high time to begin writing what I’ve been thinking about for nearly a month now – my first “label profile” of a small but wonderful and prolific enterprise out in L.A. called JAXART Records. Since they’ve put out releases by a few of my favorite bands from that astonishing “Silverlake scene” (Rademacher, The Henry Clay People, Mezzanine Owls…), I decided to put on a bit of music to get me in the mood. I plucked out another one of my favorites, “Our Tears Have Wings” by the Monolators. Then I proceed to dig around for some background information. I come across an interesting and informative interview from LAist with JAXART founder Ashley Jex . Reading along, I discover she’s in the Monolators, first joining them on the brilliant “Don’t Dance” album, which has been sitting for a while on my turntable. And that she publishes a blog that I include in my blogroll and regularly frequent, Rock Insider. It was one of those “ohhhhhhhh” moments (stop that chuckling out there; I’m on a computer day and night, so I have short-term memory issues. Sometimes it just takes me a while, ya know?). She’s deeply immersed in L.A.’s local music scene, having done a stint as a KROQ intern, worked at a few indie labels, and even DJ’s and books shows. She started Rock Insider in 2005, and JAXART Records in 2007.
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